10 Writing Tips in 5 Days: Day 2 – Join the Club

AIPF

Tip #3: Build Your Own Support Group

Historically, writing is said to be a lonely business. We’re all supposed to be depressed, nocturnal addicts angrily slaving away at our typewriters and dying early deaths. Or something like that. Except for the nocturnal part, it all sounds like a giant drag to me.

In my opinion, these days if you’re a lonely writer it’s because you’re choosing to be lonely, because the thing is, you’re not alone. At all. The reason why it’s so hard to get published is because there are SO MANY OF US out there trying to get published! Writers are not scarce. They’re not rare. They’re not exclusive. They’re not unique. Recently on a train, I asked a stranger what he did for a living. He told me he was a patent lawyer. I nodded and smiled, thinking, That sounds boring. Then he asked what I do, and I smiled even bigger and told him I was a writer. He said, “Oh yeah? I wrote a novel a few years ago. It never got published.”

WE. ARE. EVERYWHERE.

Wait! Wait. Don’t go jump off a bridge. Instead, embrace it! We are living in the age of connectivity, so connect! Find other writers and talk to them! Hang out with them! Write with them! Yes, building your own little writing community will destroy that image of yourself as a unique little writer snowflake, BUT it also makes the writing life less lonely and opens the door to all sorts of new opportunities for learning and growing in your craft.

Where to start? Well, there’s… social media, critique groups, blogs, organizations, discussion boards, meet-ups, hang-outs, play-dates, and stalking industry professionals in coffee shops. Wait, don’t do that last one.

There are so many opportunities to connect with other writers that it’s kind of overwhelming. Instead of trying to give you an overview of all the options, I’ll just tell you what my personal writing community looks like. My support groups include: two meet-ups that I attend regularly, membership in three writing organizations, participation in social media, and writer friends who I communicate with either in person or via email on a regular basis.

MyWritingCommunity
(For some reason, I thought a colorful web would be the best way to display my writing community. Now that I’m finished I’m not so sure anymore.)

Know that this web didn’t happen overnight. It’s the result of two years of venturing out of my writing cave and sending threads out into the world. Just like in Tip #1, I suggest you start small and find the appropriate groups and level of participation for your current situation.

 Tip #4: Go to a Festival or Conference… TWICE

I remember the first time I rode the Texas Giant roller coaster (back when it was still wooden) at Arlington’s Six Flags Over Texas when I was in middle school. The wait must have been at least forty-five minutes long, plenty of time to chew off all ten of my fingernails, consider chickening out a half a dozen times, and ask my friends just exactly how scary it was about, oh, every fifteen seconds. I remember how terrified I felt on that slow click, click, click ascent to the top of the first enormous drop. I remember worrying I might cry or pee myself or fall out and die (the last of which actually happened to a woman last July—I encourage you NOT to read the horrific details if you want to continue riding roller coasters). I remember my terror quickly transforming into terror-ific thrill as I made it down that first hill and experienced the rest of the fast falls, stomach-lurching turns, and bone-rattling excitement that the Giant had to offer. I remember exiting the car—legs shaking, stupid grin plastered to my face, friends bouncing circles around me—and doing what every middle schooler does after their first big roller coaster ride. Get back in line. The next forty-five minute wait was completely different. As my stomach both settled down and churned with anticipation, I stood proudly, knowingly, and when the youngsters behind me bit their fingernails down to nubs and asked their dad, “Does it go really fast?” I chuckled and rolled my eyes and thought, Amateurs.

Who doesn't love PhotoBooth?
Who doesn’t love PhotoBooth?

Joining the writing clubs and organizations available to you is only the first step. Next you actually have to participate. Read the newsletters, go to the meetings, attend the workshops and conferences. You’re not in high school anymore. (Unless you are, in which case, go do your homework.) This isn’t like joining the Honor Society just so it will look good on your college applications. If you’re going to be a part of something, then be a part of it. Get involved. (Wow, I’m suddenly sounding a lot like the mom in my middle grade novel.)

The first time you attend a conference or festival, you get to know interesting people, learn more about the topics presented, and come home with journals full of notes, new friends, ideas, and to do lists, all of which you can’t wait to start reading, contacting, drafting, and implementing.

But, as inspiring as conferences and festivals can be, they can also be confusing, humbling experiences. You don’t know where to park. You go to the wrong room. You realize you were supposed to bring a draft to work on (which you didn’t) or you notice that yours is the only laptop in a room full of moleskin notebooks and fountain pens. You nod and smile and ask “Who?” a lot. People around you hug and inquire about each other’s lives, calling children and novels drafts by first name. They say things like, “This is a nice space,” and, “Well it couldn’t really get worse than last year!” Everyone laughs and you nod and smile.

More than once during my first festival appearance, I thought to myself, Why don’t they make this easier on new attendees? And, Yes, yes, you’re best friends, I get that, but could someone just tell me where the closest coffee pot is? And, I am NEVER going to act so cliquish at a conference, EVER!

Still, the benefits far outweighed the annoyances, so the next year, I went back.

I parked my car in the free garage, knowing that they never check stickers on Saturdays. I interrupted my advice to a newbie about how to sign up for poetry readings to squeal and hug a friend I hadn’t seen in a while. And, when someone commented that the sound system made it a little difficult to hear, I caught the eye of a festival veteran like myself and burst into laughter, thinking of the rattling air conditioner that drowned out half the speakers in the venue the previous year. Then I noticed the blank look on the newbie’s face, stopped myself, and blushed.

I didn’t mean to make anyone feel left out. My actions weren’t malicious at all. I was just comfortable, confident in my surroundings and at ease about how the event would progress. I had a good time the first year, but the next year, I was in my element. That’s how it feels when you’re in the club.

So don’t be afraid to attend festivals and events. And if things don’t flow as smoothly as you’d hoped, don’t be afraid to go back. The second time you’ll be able to anticipate all the drops and turns and sharp corners, and it will be an even more enjoyable ride.

Advice for Event Attendees:

  • Get as much info as you can about the location and schedule beforehand. If possible, ask someone who has attended the event what to expect.
  • Don’t be afraid to ask questions. Start by saying, “This is my first festival” or “I’m new here” and people will be nice to you.
  • When in Rome… follow the social parameters of the event. If several other people are taking notes on laptops, go for it! If not, don’t be the only laptop geek. Come prepared with various materials so you can adapt to any environment, regardless of internet access, wall outlets, or available seats.
  • Find other newbies and band together. Safety in numbers!

Advice for Event Organizers:

  • Provide a detailed FAQ page on your website.
  • On maps and schedules, avoid phrases like “same place as last year” and “the usual parking area.”
  • Ask someone who has never attended the event to look over the website/information and provide feedback on omissions and areas of confusion.
  • At the end of the event, ask for feedback from attendees about improvements that could be made for the future.

[Note: This June, I’ll be attending the Writers’ League of Texas Agents and Editors Conference for the first time. If you have attended and have any advice for me, please leave a note in the comments or send me an email at cariejuettner@gmail.com!]

Bonus Links:

[Did you miss Tips 1 & 2? Catch up here!]

10 Writing Tips in 5 Days: Day 1 – Start Small, But Dream Big

TheSunRejection

Tip #1: The Benefit of Baby Steps

There is a reason why most of us* crawl before we walk. It’s simply because we’re not ready yet, not strong enough to take our first steps. Crawling gives us a chance to try out our muscles, a safe way to make forward motion without risking too much.

The first prose piece I ever submitted was to The Sun. On January 1, 2012, I mailed a second-draft, Christmas-themed creative nonfiction piece about my family to a magazine with over fifty thousand readers. On February 14, I received their kind, poetic rejection letter. And rightly so. I had tried to shoot the moon (er… The Sun) with a crudely made sling shot. Or, to go back to my original metaphor, I’d leaped from my crib expecting to dance and instead landed smack on my bottom.

I wasn’t ready for The Sun. Even after I learned to take time with my work and get feedback from peers, even after I’d figured out how to craft a proper cover letter and research a journal before submitting to it, my writing still wasn’t ready for the level of The Sun. It probably still isn’t.

A lot of new writers start out thinking they’ll get published right away in Glimmer Train or Tin House or Narrative, and I’m sure a few of them do. But most of us aren’t ready for powerhouse journals like that when we’re first starting out. For me, it wasn’t overconfidence in my writing ability that made me submit to The Sun, it was complete and utter ignorance. In January of 2012, I didn’t even know who Glimmer Train, Tin House, and Narrative were, and I had no idea that so many publication opportunities existed. Every genre, every level, every niche, every region, everywhere. No clue. Someone gave me a few copies of The Sun, and I naively thought, Hey, I think I’ll send them a story.

By 2013, I had learned to slow down, to research my options, and to aim… (not lower, I wasn’t going to say lower) …more appropriately. I set my sights on some more achievable goals, and I saw some success. Last year, I found homes for five short stories (four of which are horror) and even won first place in Writers Weekly’s 24-Hour Short Story Contest.

Some people may look at my list of credentials and shrug. Some, when they learn that (except for the contest win) my publications didn’t earn me any money, may scoff. Some may say that, for them, it’s go big or go home. They’re going to keep trying for Glimmer Train until they get in, gosh darn it! That’s fine.

But here’s the thing. Those little baby steps felt really good. Each time I got that acceptance email, I jumped out of my chair and did a happy dance. My arms felt tingly for hours. My goofy smile didn’t fade for days. And success, even minor success, breeds creativity. As soon as you feel that thrill of excitement, you want to feel it again. So you keep writing. (Not to mention that it’s a lot more affordable to submit to the smaller publications. Those big journals have big payouts, but a lot of them have pretty big submission fees too.)

It’s not like I quit shooting for the stars altogether. I still submit to the big journals now and then, and (so far) I still get rejected. But I’m also still learning, still improving my craft, still researching, still writing.

I still believe that one day I’ll make it in. And I’ll be proud of the baby steps that got me there.

* I say “most of us” crawl before we walk because a couple of years ago I read Ray Bradbury’s short story, “The Small Assassin,” about an infant who is so bound and determined to do away with his parents that he learns to move about the house at just a few weeks old. It’s a great story, one that really stuck with me, but it’s not something new moms should read. (Trust me on this.) I couldn’t find an online version of the text, but you can watch the Ray Bradbury Theater version on YouTube.

Believe it or not, this is not really food. Click on the image to see what it actually is and to check out the cool Etsy site where it came from.
Believe it or not, this is not really food. Click on the image to see what it actually is and to check out the cool Etsy site where it came from.

Tip #2: Pack Your Cart With Rainbows and Chocolate

I’m standing on the staircase that leads to the third floor at Book People. In front of me is a curtain, and on the other side of the curtain is the young bookseller talking to a crowd of people—teenagers and adults alike, most sitting, some forced to stand, many clutching a hardback book with my name on the spine. The bookseller finishes his enthusiastic introduction with, “So help me give a warm welcome to… Carie Juettner!” I step around the curtain to eager applause.

This is a scene that I visualize often. Me, at my favorite local bookstore, doing a reading and book signing for my popular new young adult novel. I can see it. I can feel it. I can taste it. Anytime I go hear an author read, I picture myself up there. I think about what I would say. I brainstorm various ice-breakers to help me interact with the crowd and (hopefully) calm my nerves because I know I’ll be a wreck. (A happy wreck, but a wreck nonetheless.) In one scenario, I bring my Magic 8 Ball and let audience members ask a few questions before we begin. Then, later, when the book-signing line stretches all the way down the staircase, people entertain themselves with the 8 Ball while they wait. (Authors—if you steal this idea from me, the least you can do is tape my blog link to the 8 Ball.)

I also picture myself doing panel discussions and interviews about where my ideas come from. (I don’t really know—they just appear—so that’s an answer I’ll need to work on.) Recently, I discovered a whole new joy—locating the spot on the library or book store shelves where my novel would be if it existed. (And let me tell you, it’s pretty exciting to imagine it there.)

You see, with each small success in my career, I envision larger, more grandiose rewards in the future. It’s like, One small step for the writer, one giant leap for the writer in my head.

If your hand is over your heart right now and if you’re thinking, Oh, poor thing, then STOP IT! I do not visualize these things in a woe-is-me-for-I-am-just-a-lowly-peasant sort of way. That stereotype of the lonely, depressed, self-loathing writer persona does not fit me. I’m one of the happiest people I know. I bounce around my house (yes, literally bounce, often bumping into things) chattering to my husband about my latest ideas and sharing status updates on all of my projects. When he won’t listen to me anymore, I talk to the dog. I am thrilled with every contest opportunity that comes my way, ecstatic about every new story I start, and annoyingly content with my life in general. And while I toil away at my drafts and revisions and query letters, I keep my eyes focused on those prizes at the end. They keep me headed in the right direction.

Some would say this is putting the cart before the horse, but I don’t care. Maybe I just haven’t hit the hard part yet. Maybe someday I’ll sink into the gloom that is supposed to envelope me. But right now, I’m enjoying the writing life, in all its elusive glory. If I’m putting the cart before the horse, then at least I’m stocking it full of rainbows and chocolate first. I suggest you do the same. Stand on your tiptoes and look down the road a bit. See what prizes await you at the end of your hard work. Even when things are difficult (especially when things are difficult) imagine the good stuff. The publishing contract. The first sale. The day you see somebody in a coffee shop reading your book and you sit near them and try to act nonchalant while waiting for them to realize that you look just like the person on the back cover. Toss these things in your cart and carry them around with you. Enjoy them. Then get back to work.

(Note: If I do ever hit depressed-writer-rock-bottom, I’ll try my best to blog while I’m down there and, if I remember, I’ll link to my tormented ramblings here. <– Until a hyperlink appears, you can assume I’m still doing all right.)

Bonus Tips:

Are you looking to aim more appropriately? Check out these links to various markets.

* Horror: http://darkmarkets.com/category/markets/magazines/

* Literary: http://www.newpages.com/literary-magazines/

(Note: These lists are not always kept up to date. Always go to the journal’s website for current information.)

Are you looking to fill your cart with rainbows and chocolate? Nothing says happiness like a good success story.

* Interviews with debut authors about how they got their starts:

http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/author-interviews

* Lynette Noni’s adorably excited blog post about signing with Pantera Press:

http://lynettenoni.wordpress.com/2014/02/28/its-official-im-going-to-be-published/

Coming Soon: 10 Writing Tips in 5 Days

My Writing Quotes Table
My Writing Quotes Table

This week on my blog I’ll be sharing with you almost everything I know about writing. I’m holding out on a couple of things because I like to pretend to be mysterious and it’s fun having a secret. But I’m not actually very good at keeping secrets and I’m much too clumsy to be mysterious (because mystery, in my mind, involves long flowing cloaks and shadows and silence, not untied shoelaces and elbows whacking doorframes and shrieks of pain) so I’m sure I’ll cough up the last few useful tidbits soon. For now, though, I’m offering you ten writing tips over the course of five days which, in my opinion, is a pretty good deal.

You may be asking yourself, What makes her an expert? It’s okay, go ahead and ask it out loud. It’s a good question. The answer is nothing. Nothing makes me an expert. I’m not an expert; I’m just a writer. But I’ve been doing this writing thing for two years now, and in that time I’ve had a little success and I’ve learned a whole heck of a lot. And one of the things I’ve learned is that I have to learn things over and over again.

It’s not that I’m a poor student. In fact, I’ve always been a very good student. But real learning takes time and retention takes repetition. If I’d truly absorbed everything I’ve learned over the past two years about the writing life, I’d probably be fiendishly typing 20,000 words a day and cranking out a bestseller a month by now* but I’m not, so the learning continues.

Another thing I’ve learned (you’re getting a couple of pre-tips here) is that a writer who’s stuck can be very skilled at forgetting the very things that would get her unstuck. It’s amazing how stubborn my brain can be. It will deliberately choose to ignore the simple, effective tools it has stored away in its grotesque** little folds when it’s determined to be stuck. I often have to be reminded to do things that I’ve been doing for years, things that I taught others to do for years, like…free writes. And timed writing. And quick character sketches. Every time someone recommends one of these things to me, I say, Oh yeah. Duh! Then I push my brain out of the way and get back to work.

My point is that none of the tips you’re going to see this week are earth-shattering ideas or light-bulb-over-the-head epiphanies. They’re just things that I’ve learned that I want to share. You’ve probably heard them before, but it doesn’t hurt to be reminded once in a while. Just distract your brain with a logic puzzle or one of those images of a snake eating itself so that you can read at your leisure.

Oh, and since I’m really not an expert***, I’ll throw in a few links to some people who actually know what they’re talking about as a bonus.

 

* I’m kidding. That is not actually what success looks like and it doesn’t sound healthy at all.

** Your brain may not be grotesque, but I’m pretty sure mine is.

*** Really, truly, not an expert.

Snake

 

Coming Up This Week: 10 Writing Tips in 5 Days

Day 1 – Start Small, But Dream Big

Day 2 – Join the Club

Day 3 – Get Yourselves Organized!

Day 4 – The Reluctant Reviser

Day 5 – No More Excuses